Emotions and art are deeply connected
It is probably safe to say that emotions and art have been connected since the very beginning. I doubt the cave paintings at Lascaux were made or viewed without any reactions by their creators or other community members. Whether they were created as mythic storytelling, depictions of particular hunts, or something completely different, we can imagine that, like us, the early artists and viewers felt something while looking at them. Perhaps they felt emotions of fear, or pride in the hunt, desire for status, or appreciation and gratitude for bounty. So what’s with the connection between emotions and art and the idea of movement?
What’s moving, emotions or me?
What do we mean when we say something “moved” us? We use the expression about emotions and art all the time… a piece of music or a poem is moving; a film moved us, sometimes “to tears.” But I’ve been musing about a couple of different ways to look at this idea of movement. What is moving, precisely?
When I read a particularly poignant book, for example Love You Forever by Robert Munsch. I, like the author himself, immediately choke up with emotions of sadness and an almost indefinable ache – it feels a bit like longing – even though I have not yet lost either a child nor a parent. It “moves” me to a place of being able to feel what the author felt. The movement for me is from my
status quo, whatever it was before I picked up the book, into a new emotional state, a new place to experience life from, one I haven’t known before.
Or how about this? When I read that book (or my other favourite for accessing the bittersweetness of life, Peach and Blue I can think of it another way. Through their love story I’ve opened the door to allowing an emotion to move through me. I am still who and where and how I am, but I’m letting the feeling enter, and I can let the feeling leave.
So what’s the difference?
Well, aside from giving me the chance to look at those two moving books again (and I could add a zillion other books, works of art, movies, etc. for any emotion you care to name, but then we’d be here all day and the dog wouldn’t get walked!) …
I don’t think one way of experiencing emotions and art is better than the other, but I do see them differently. When I’m the one being moved, for me it’s like I’ve been transported into a role. I feel something from the inside out, and I’m inhabiting that state of mind and heart. It puts me in touch with emotions I might never have known before. Or, even if I have, I’m feeling them from another perspective. When I use art to experience emotions in this way, I think I can say I’m learning a lot about empathy.
When the emotions have been moved through me it feels different. I remain in a bigger sense, more rooted in my own experience. Sometimes it’s because the feelings are ones that I’ve had before, and what moved them into/through me is a reminder of them. But not always. It’s more likely to happen when I’m in a grounded place, or you might even say in a more mindful place, where I’m practicing the habit of witness consciousness and recognizing that while I may have emotions, I don’t have to be identified with them. It’s the difference between believing “I am so angry,” and “I feel anger within me in this moment.”
Letting emotions move on through
Have you ever noticed how kids seem to be able to allow emotions to move on through them? The temper tantrum might be an almighty storm, rocking them right onto the floor with kicking feet and screaming lungs, but when it’s over it’s over. They’re already asking “what’s for supper?” while Mom is holding her heart, still breathing fast, and wondering if anyone would notice if she just walled herself and the family up until the child turns 21. It’s not so much that kids have anything like a “witness consciousness” going on – I don’t think most do. But they do seem to have some ability that we gradually lose as we grow older. Teens and adults hang on to emotions, to pull them out of our pockets to savour later, or to think them over for a good long time in the hope that they will reveal to us the secret of never having to feel that way again.
Like I said, I don’t think there’s one right way to experience emotions through art. But knowing that there’s not just one gives us some choices. Maybe you find it healing to watch a sad movie that you know you cry at every time. This can be really helpful especially if we actually feel like an emotion is stuck within us. Allowing the art to stimulate the sadness that is already within us, perhaps unexpressed or keeping us feeling tight, can let the sadness move through us more completely.
Or perhaps I might feel immobilised myself – like I am in a rut or habit of a way of feeling or perceiving my situation. Most especially when I’m feeling flat, this is when I find a trip to an art gallery really helpful. I can stand in front of many different pictures, one after the other, and allow myself to be moved into different states with each one. I can “try on different hats” in a way. What did the painter feel while he was making this one? What led that sculptor to create her piece out of that material? Those aren’t just thinking questions, but feeling ones as well. I can notice what my body and heart do in response to the art, and allow myself to get carried along into a new experience. I can then ask, what do I want to do, now that I can see things this way? It’s a way to create action in my life.
So – what moves you? What is moved within you? Share your thoughts on my Facebook page
And if you’re yearning for movement, wanting to make sure that you make the most of your life so that you can stop waiting for “someday” and start creating a fulfilling NOW, contact me for a free consultation.